Well, of course Wendy Davis would come out AFTER the election and say she wasn’t in support of open carry. I am not the least bit surprised, but I surely didn’t expect her to be so brutally honest about it:
There is one thing that I would do differently in that campaign, and it relates to the position that I took on open carry. I made a quick decision on that with a very short conversation with my team and it wasn’t really in keeping with what I think is the correct position on that issue.
In a way you gotta admire that, I guess, but it’s worth asking if we would ever really want a governor who would so blatantly pander to a certain demographic to get elected, especially since it arguably wouldn’t have helped her to any significant degree considering her ignominious defeat. I realize I do speak with the benefit of hindsight here, but it doesn’t take a brain surgeon to see there were so many issues with Wendy Davis running that she never could have won.
Comment from Saving Country Music, about Garth Brooks taking a fall on stage as he brought back his elaborate stage shows from the 1990s:
Have modern American audiences become so accustomed to spectacle and gimmick that an evening of good music performed with passion isn’t enough?
I often asked myself the same question back in the 1990s when everyone was raving about the same spectacle. I always found it quite telling that George Strait was pretty much the polar opposite of Garth Brooks on stage yet got more or less the identical reaction. I don’t know how much overlap there was between Brooks’ and Strait’s fanbases back then, but I am sure there was quite a bit. I never quite understood not just letting the music speak for itself…
I bet you never thought you’d see the day I’d agree with Eric Church on anything (Lord knows I didn’t), but he’s pretty much right on here:
I’m so focused on making an album. I don’t care that technology tells us that albums are a thing of the past. That is b.s. They are more valuable now than they’ve ever been to the future of music, to the health of music. Because going forward, there’s no way we end up having artists unless we go back to the album format, the entire body of work.
I liken it to when you sit down to read a book. You don’t read one chapter. You read the whole book. It’s about every chapter. That’s how you understand what the book’s about, that’s how you become a fan of the book.
Same thing with music. You can’t hear one song, you can’t get a 99-second sound bite, and understand the artist, or be a fan of the artist, other than for just for that moment. That frenetic way of what we’ve turned music into, with digital technology, I’m so against that.
While I do agree that iTunes and the like are convenient as hell, I do think there’s been something lost as we’ve shifted towards singles as opposed to full-length albums. I’ve probably made the observation before, but inevitably in discussions of favorite artists, such will go to “Favorite Album Cuts” or something like that. And there’s something to be said for an artist who can deliver 10 or 12 quality songs at one whack as opposed to one or two songs every so often. Of course, on the other hand, I think the talking point about artists loading their albums with filler material around the singles is a legitimate one as well. But I think we would be better-served to demand better albums from artists as opposed to downloading a single. Come to think of it, the artists would be better off, too…