I get that not everyone’s going to get Sturgill Simpson, but at the same time I’d like to hear what, if anything, Lynne Margolis thinks was groundbreaking or at least worth paying attention to in country music last year:
I’m puzzled by the Sturgill Simpson thing. That album has appeared on zillions of Top 10 lists, and he’s been lauded repeatedly as the savior of country. I don’t hear anything resoundingly new or different on it myself.
Truth be told, I didn’t either, but I did get High Top Mountain and Metamodern Sounds in Country Music and really enjoyed both of them. Is what Sturgill Simpson doing new? Not really, that much I will stipulate, but it is certainly different than anything else that’s gotten any kind of mainstream attention. And that in itself is a win anymore, what with seemingly every new mainstream hack singing what amounts to the same song re-written for the umpteenth time. (And if this bit from Farce the Music is any indication, more of the same is on deck for 2015.) And really, it was quite good even on its own merits. It strikes me that sitting there pooh-poohing what Simpson’s doing isn’t really helpful in the context of reviewing what was good and bad about country music in 2014, if only because what he’s been doing the last couple of years is rather rebellious in relation to what everyone else has been doing.
And they wonder why critics are viewed so harshly by people!
Oh, Amazon, you so craaaaazy!
I bought a Josh Abbott Band cd, and based on that Amazon recommended I buy the new Garth Brooks album.
I bought an old George Strait album, and based on that Amazon recommended I buy the new albums from Brad Paisley and Blake Shelton.
Yesterday I bought an Ozzy Osbourne album and a Pantera album. (No More Tears and Vulgar Display of Power, for the curious.) I patiently await the recommendations to buy albums from Coldplay and Sam Hunt….