Sunday music musings, 22.5.16

Lots of shade being thrown Kelsea Ballerini’s way this week for this:

Despite complaints that female artists aren’t getting enough country radio airtime, Ballerini is beating those odds.

“I think it’s more just people saying women are not being played on the radio because right now there are a ton of us and it’s awesome,” she shared. “’Peter Pan’ broke Top 30 and it’s my favorite song on the record. And radio has been so good to me and good to [fellow female singers] Maren [Morris], Cam, Maddie and Tae.”

From Saving Country Music:

So good? Maddie & Tae’s last single “Shut Up and Fish” flopped. Maren Morris and Cam’s radio traction has yet to be proven beyond one lead single. And meanwhile dozens of females artists, new and established, are receiving no attention from radio whatsoever. It was only a couple of years ago when Kacey Musgraves was the new big rising female country star, and her singles are institutionally ignored by radio. Even Miranda Lambert’s last two singles failed to crack the Top 15 and Top 30 on radio respectively.

Country Universe:

…(Ballerini) ignores the facts that Morris’ single “My Church” has outsold her own “Dibs” (491K to 390K) but has stalled at #9 at radio instead of racing to #1, Cam’s “Mayday” is struggling to move up on the current charts (where it sits at #37 in its 14th week), and each of Maddie & Tae’s singles has peaked lower than its predecessor since “Girl A Country Song” became their sole top 5 hit. Or that the whole of this week’s top 40 singles list contains just 6 solo women, plus 2 duet partners, and that looking to the full top 60 singles list expands that number to a whopping 8 solo women. But clearly, it’s just a matter of people saying there’s a problem with women not being played on the radio.

But what gets me is this:

I think that every time a country artist steps outside of the country boundary, it just brings more ears to us. When Florida Georgia Line and Nelly put out the ‘Cruise’ remix, it brought so many more people to country music.

Again with the whole “gateway drug” thing. As I have noted before, that only works when the “gateway drug” in question bears some resemblance to the real thing. So I guess I might as well just come right out and say it, yet again: I don’t think Florida-Georgia Line singing a song with Nelly or Thomas Rhett aping Bruno Mars is a good thing if it makes people come to the genre wanting more of that crap. And I find it difficult if not impossible to believe that fans of those artists are going to come to “country music” and become fans of even George Strait, let alone Jason Boland or Randy Rogers. These people talk about these duets like they’re anything close to “Seven Spanish Angels,” and they’re just not.

I’ve come to the conclusion that it’d never work for me to be a country singer, because every time somebody stuck a mike or a camera in my face I’d be saying stuff like this:

“I hear all this crap on the radio that bears absolutely no resemblance to country music, and the dancing chickens peddling that bastardized mystery meat music trying to justify it by talking about how they listen to all different kinds of music and they’re influenced by those different kinds of music. Well, fuck that. If you’re gonna call yourself a country singer, then be a damn country singer. Don’t get me wrong. Personally, I don’t listen to just country. I like a lot of classic rock from the ‘60s and ‘70s, ‘80s traditional metal, and more modern power and progressive metal. Symphony X, Kamelot, stuff like that. I’ve gotten to dig a lot of Motown too. I mean, you should hear some of the stuff I listen to on the bus. But that’s just it — the rock and metal stay on the bus. I’m a country music singer, and that’s what I sing. You’re not going to hear any synthesizers, screaming guitars or anything like that on my records. I love that stuff, but I owe it to myself and country music fans to be honest with what I’m trying to sell them. I could make more with doing that other stuff and selling it as country, but that’s just not who I am.”

Now, Luke Bryan might say he doesn’t get people that are into only one genre of music, but he’s never come off as really bright anyway. After all, there’s only so much time in the day, certainly not enough time to get into all the genres of music out there. And the more genres you get into, the less time you have to concentrate on them, and the more good stuff you’re going to miss. I used to try to sell myself as a music generalist, but honestly, it only comes down to a couple of different kinds of music for me — country music and metal, with that smattering of classic rock and Motown thrown in.

But perhaps there is a silver lining to Kelsea Ballerini showing her ignorance in regards to the situation with today’s country music — she pretty much blew her credibility all to pieces with that, so it might be a safe bet nobody’s going to give any credence to anything else she said in that interview either.

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