Archive for November, 2016

On respect.

November 22, 2016

You know, sometimes I’m a bit slow…

…but I like to think that if I was on a plane, and the captain said a “special military family” had to deplane before everyone else, I like to think that I’d have some idea of what that meant and show some goddamned respect, or at least exercise some damn discretion and keep my mouth shut. I mean, really. You hear all these people talk about “supporting the troops but not the mission”…well, if you ask me, not booing a fucking Gold Star family as they’re getting off the plane is pretty basic support of the troops themselves — the absolute bare minimum, if you will. I mean, really, how can people do that and live with themselves?

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Random drive-by rant: San Antonio Stock Show & Rodeo

November 11, 2016

This? This is the lineup for the 2017 lineup for the San Antonio Stock Show & Rodeo? Sam Hunt? The Band Perry? Dan + Shay? Good grief. Last year the lineup included Alan Jackson, Gary Allan, and the Turnpike Troubadours.

At least they have Aaron Watson this year. And I suppose the final lineup might not be the dumpster fire it looks like right now, as several of those slots are still yet to be determined. But just…wow. Pretty much the only thing that’d fully make up for Sam Hunt would be a George Strait appearance — but I seriously doubt we’re gonna get that, as Strait has only played the San Antonio rodeo twice, in 1986 and 1990. Jason Boland? Randy & Wade? Another TT appearance? We’ll see, I guess…

Observations on last night.

November 9, 2016

A lot of people didn’t see this coming, and it’s not surprising when you think about it. I think there were a lot of people who kept their choices on the down low, and all things considered, I cannot blame them. How would you feel if someone you didn’t even know disparaged your character, called you racist, misogynist and any number of other epithets, solely because of your choices in the voting booth? More than that, how many of the things that were said about Donald Trump were said, albeit to a lesser extent, about every GOP candidate going back to at least Bob Dole? There are a lot of people — on the left, especially — who need to think about that last thing in particular, if they’re ever going to even begin to understand last night’s events.

And there were many issues in play last night, but I wonder how differently things would have turned out if Hillary had not only been so open about her agenda in relation to more gun control but also not brazenly lied to everyone about supporting the Second Amendment.

(Also, how crazy would it be if supporting the Fourth Amendment, or the Eighth Amendment, or the Fifth Amendment, were such a controversial thing? If it were so, you’d have people rightly shouting from the rooftops about how were were living in a burgeoning dictatorship or something. Some freedoms are definitely more equal than others.)

Also, I’d like to think that we won’t see any more shenanigans like running guns to the Mexican drug cartels, but as Sabra so astutely pointed out to me, Trump was a Democrat not that long before he was a Republican, so we probably shouldn’t hold our breath.

But since Trump is a Republican now, perhaps the media will do its job if this happens as opposed to turning into glorified PR hacks for the ATF.

An appropriate song for the day…

November 8, 2016

…right here.

First time I heard this song was back during the 2000 election season on Dallas country radio when I was living in North Texas. Still a great song, even if we’d have to bring Cash back from the dead.

“He would unite the whole nation, with his guitar and a song….”

And God knows that’s exactly what we need anymore.

Drive-by rant: Por que no los dos?

November 8, 2016

Seen on Facebook this morning, a meme with the following sentiment:

“Country music needs more of George Strait and Alan Jackson and less of the Dixie Chicks and Beyonce.”

Well hey, why not both? (Maybe not Beyonce, though I will say that if “Daddy Lessons” is played on country radio, I’d much rather it be with the Dixie Chicks.)

Here’s a proposition for you, Sparky:

If we still had the Dixie Chicks, we’d still have both Alan and George too. How’s that, you ask?

Well, let’s put it like this. I’ll readily acknowledge that the Dixie Chicks were at least a little controversial in their day even before The Incident, but I do not see how it can possibly be argued that they were not one of the most traditional acts the mainstream has seen in at least the last quarter-century. They managed to sell more than 6 million copies of an album that was not just traditional country, but almost pure bluegrass, in the era of Shania Twain and Faith Hill. With the musical leadership they provided, with the example they set on how to make actual country music and still have commercial success, they — along with George, Alan, Lee Ann Womack, and others I am probably forgetting right offhand — could have helped lay the groundwork for the next generation of traditional country in the mainstream. The level of quality control on Music Row would have been radically different, to the point that, as I have said before, the likes of Florida-Georgia Line, Sam Hunt, and Thomas Rhett would never have been given the time of day in Nashville, the latter two would have gone on to be the shitty pop music flashes in the pan that they should have been considered all along, and we’d still have quality music on the radio that at least bore some resemblance to country in addition to all the great independent stuff. Would that new mainstream music have been as good as Boland, the Turnpike Troubadours, et al? Probably not, but it would still be miles ahead of the swill radio’s peddling now.

And how would George & Alan still have been here? Well — and again, I’m probably just spitballing here — with the traditional music still getting played, there still might have been room for them on the radio.

But instead…we have what we have now. I don’t know what’s worse, that or the possibility that more than a few people still think it was worth the Chicks getting booted from country music because they didn’t agree with what the Chicks said. You know, I didn’t agree with ’em either, but some things are bigger than mere politics — or should be, anyway.

Thursday music musings, 3.11.16

November 3, 2016

So, about the CMAs last night…

Chris Stapleton winning Male Vocalist and Video and Luke Bryan getting completely shut out? Hey, I’ll take that. Like I have said before, I am not a Stapleton fan by any means, but as the old saying goes, any chair in a bar fight.

I also heard that both George Strait and Alan Jackson got full performance slots. Good for them. It sucks that they don’t get played on the radio anymore, but again, hey, little victories.

I gotta admit, I was quite surprised to see Garth Brooks take home Entertainer of the Year. A lot of people seemed to think it was Carrie Underwood’s time, and if I had to guess who would have taken it, I probably would have guessed she would be it. Not that I really give a damn one way or the other, really, but I thought it was pretty neat that Garth Brooks won just for another FU to Gary “if you’re not on country radio you don’t exist” Overton.

Finally, it was pretty cool that the Dixie Chicks got themselves a performance slot on the CMAs after a full 15-year absence from the show and more than a decade since their blackballing from country music — but then on the other hand I have to wonder if they’d have gotten that if they’d elected to sing one of their own hit songs (or a new song) as opposed to Beyonce’s “Daddy Lessons,” with Beyonce, even. I listened to the original version of the song, and I gotta say, I don’t get how people think it’s actually country. It sounds to me a lot more like, say, Dixieland jazz. Not that it’s bad, mind you. And I know the Chicks have done non-country covers before. Still, though, right or wrong, it reminded me of all the awkward pop star appearances on CMA award shows past, from Meghan Trainor last year to N-Sync with Alabama back in 1999. I thought about how Sammy Kershaw talked of how country music is seemingly the only genre that is ashamed of itself and how it tries to be everything but country. I thought about Dierks Bentley talking about how they weren’t all sitting on hay bales passing out the awards or whatever. And all of it is just another reminder that that attitude still seems to be there, and I have to wonder if it’ll ever subside to the point that mainstream country will ever sound, well, country again. Baby steps, I guess…