What happened to…what, now?

The proper question is, “What happened to honest music journalism?” Or “Who are the people quoted here and why in the hell do their opinions on Texas Music matter?” There’s so much bullshit here that it practically fisks itself, but what the hell.

A New York guy killed Texas Music. Yes, friends, the disintegration of this state’s edgy brand of country rock can be traced back to New York-born Texas-transplant Jerry Jeff Walker.

Uh…come again? There wouldn’t BE a Texas music to speak of if it wasn’t for Jerry Jeff Walker. But even so, whatever the objective state of Texas Music circa 2017, it strikes me as not quite fair, and more than a bit simplistic, to blame just him for it, because practically everyone in Texas Music 2.0, from Roger Creager to William Clark Green, was influenced by him. And all of that is assuming that we take the article’s central premise is true, and it just isn’t. Not by a long shot.

Robert Earl Keen Jr. followed in the 1980s, tapping into Walker’s party anthem vibe but with deeper writing (“Swerving in My Lane,” “The Road Goes on Forever”). The rowdies were inflamed.

Really. I’m going to guess these people have never heard “Mariano,” “Jesse with the Long Hair,” or “Shades of Gray,” or, hell, even the original version of “The Road Goes On Forever.” I remember hearing the latter and thinking it was anything but a party song; the one line in the song with the title is practically the only upbeat thing about it.

Then along from Oklahoma came Red Dirt, a similar type of rowdy country but with an even more Neanderthal approach.

Wait, what? Are we even listening to the same artists? Stoney LaRue, Jason Boland, Ragweed? These people don’t have a freaking clue.

And the bit about Maren Morris’ talent getting her noticed is utterly laughable. That’s not really a commentary on said talent, but rather…well…let’s just put it like this: If Maren Morris sounded like Lee Ann Womack or Courtney Patton, who are both every single bit as talented as she is, we all know that Nashville and country radio never would have given her the time of day.

I think my biggest problem with this article, though, is the fact that none of these people bother to actually call anyone out. Are there acts in Texas music who don’t measure up? Sure there are. And we all know who they are, more or less. But if you’re going to call the scene out for its quality or lack thereof, it’s incumbent upon you to point fingers and name names. Nobody hesitates to do that for Nashville, and we ought not to hesitate to do it for Texas/Red Dirt or any other scene. Not only should that be done to make the scene better, but also to differentiate between the good and the bad. Just like it’s wrong to say ’80s metal sucks because of Poison, it’s just as wrong to modern Texas music sucks because of Sam Riggs.

And, again, who the hell are any of these people quoted in this stupid article? If it was Ray Wylie Hubbard or Billy Joe Shaver or any of those guys saying all this that’d be one thing, but it’s just a bitter gaggle of nobodies with nothing more than axes to grind for reasons that only God Himself knows.

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